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MARIA DRAGUS ON “GRADUATION” AND “THE WHITE RIBBON”
https://indie-outlook.com/2017/0 ... d-the-white-ribbon/

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'Wonderstruck': How Todd Haynes Shot a Double-Period Film With Child Actors and Lots of Silence (Q&A)
http://www.hollywoodreporter.com ... ?utm_source=twitter

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第70届戛纳国际电影节开幕式红毯全程视频【中文字幕】
https://v.qq.com/x/cover/o7qm2z9jwkk8rc2/n0023fpaboh.html

第70届戛纳国际电影节开幕典礼全程视频【中文字幕】
https://v.qq.com/x/cover/o7qm2z9jwkk8rc2/l00230f9xj0.html

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费比西的评分单,暂未出,先mark:
http://filmneweurope.com/images/ ... nnes2017critics.pdf

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Cannes: 5 Big Questions Facing This Year’s Festival
http://variety.com/2017/film/mar ... x-china-1202430176/

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戛纳70周年,给我们看了一部删减版的开幕片
原创 2017-05-18 深焦戛纳编辑部 深焦DeepFocus
http://mp.weixin.qq.com/s/FAqRdUnTBct5kYaVw8GS7w

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《无爱可诉》的亲子悲剧,徒有其表的社会寓言
原创 2017-05-18 深焦戛纳编辑部 深焦DeepFocus
http://mp.weixin.qq.com/s/E-ysN_xEtHiJKBOyYiFTDg

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